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WORLD WIDE VIDEO FESTIVAL MARNIX DE NIJS & EDWIN VAN DER HEIDE 15 - 18 MAY |
This game of pushing and pulling, attracting and repelling, moving forward and withdrawing also plays an important role in another collaborative work of the two artists: Spatial Sounds (100dB at 100km/h). There a speaker is mounted onto a rotating arm that is several meters long. The machine scans the space for visitors and when it senses one it will stop and produce friendly sounds as if it wants to play. Just don't overexcite the machine because it will start rotating like a madmen.
De Nijs is not using digital media as technical gadgets. To him they are a means "to force the audience into a bigger involvement. Passive contemplation means nothing to him. In order to consume his art it is no use standing passively at the sideline, you have to step in and participate. Navigating within a virtual surrounding is tactically inserted in order to let the visitor experience the work more intensely" as Bart Rutten put it in an article about de Nijs.
Edwin van der Heide's work is directed to the borderline between the physical and the electrical world. He has been working extensively on the development of physical interfaces for electronic sound production aiming on creating new, more sound-oriented, musical languages. The last couple of years van der Heide has been translating and developing this interest in the direction of interactive physically communicating installations. |
Opening: May 15, 18.00 hrs
Passenger Terminal Amsterdam (PTA)
This presentation was made possible by the Netherlands Media Art Institute
Thanks to the Mondriaan Foundation and The Amsterdam Fund for the Arts |